By Vermonja R. Alston

About Vermonja R. Alston

Vermonja R. Alston is Associate Professor in the Departments of English and Humanities at York University. She has completed a manuscript titled “From Cosmopolitan Fantasies to Kinesthetic Empathy: Dancing Towards an Embodied Cosmopolitanism.” Her current work is at the intersection of poetics and visual culture, memory studies and museum studies.


The term “environment” in its broadest sense indexes contested terrains located at the intersections of political, social, cultural, and ecological economies. In its narrowest sense, it refers to the place of nature in human history. In each of these usages, representations of the natural world are understood as having decisive force in shaping environmental policy and the environmental imagination. Conservation politics were inspired by interpretations of particular places as untouched by the industrial revolutions of the nineteenth century, while much contemporary ecocriticism has continued the mainstream preoccupation with wilderness traditions, pastoralism, and the Romantic impulse of nature writing. Environmental justice activists and some ecofeminists have questioned these preoccupations, as have indigenous and postcolonial writers and scholars across the Americas who point out that imaginative writing about “nature” has a long tradition among colonial settlers attempting to mythologize and indigenize their relationships to place. This polyphony of competing voices and genealogies …

Disciplinarities, Histories, Nature
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