By Russ Castronovo

About Russ Castronovo

Russ Castronovo is Dorothy Draheim Professor of English and American Studies at the University of Wisconsin–Madison. He is author of several books, most recently Propaganda 1776: Secrets, Leaks, and Revolutionary Communications.

Aesthetics

At once universal and specific, transcendent as well as deeply historical, property of individual feeling but also affecting the mass subject, aesthetics have been notoriously difficult to define. This imprecision explains why aesthetics have often been invoked as a progressive force that opens new conceptual horizons and just as often derided as a tired elitist dodge that preserves the status quo. The unevenness of the ground on which matters of beauty, perception, taste, and the sublime stand results from elemental fissures between art and politics. Such fissures may be more fantasy than actuality, however. When aesthetics are considered in terms of social practice, philosophy, and cultural criticism, they appear as profoundly material engagements with embodiment, collectivity, and social life.

Aesthetics are in their narrowest sense purely about the discernment of formal criteria such as unity, proportion, and balance within the domain of art. If we trace the term’s origins back …

Collectivities, Embodiments, Feelings
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