By Lindsay Reckson

About Lindsay Reckson

Lindsay Reckson is Assistant Professor of English at Haverford College. She is currently at work on two book projects: Realist Ecstasy: Religion, Race, and Performance in American Literature and Experimental Gestures.


In common usage, gesture names the emptiest of social forms. You reach to help someone, knowing already that they’ve got it. Somewhere between reflex and performance, a gesture signals good intentions without the burden of follow-through—we call this a “mere gesture.” At the same time, a gesture can be understood as the smallest, most basic unit of power as it gets made and remade through embodied social relations. A handshake in a back room is only the most obvious example. We raise our hand to speak, or we don’t. We reach out to some and not to others. We return somebody’s gaze, but only if the conditions are right.

In its etymological sense, gesture (from the Latin gerere, to carry or conduct) signals a question of comportment, of how the body conducts itself (Noland and Ness 2008). Critical concern about what gesture conveys—about what kind of meaning it carries—dates …

Embodiments, Methodologies, Power
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