By Lissa Paul

About Lissa Paul

Lissa Paul is Professor of Education at Brock University. She is the author of Reading Otherways and The Children’s Book Business, associate general editor of the Norton Anthology of Children’s Literature, and was an editor of the journal The Lion and the Unicorn.

Acknowledgments

For their work on and advocacy for this book, our thanks to Eric Zinner, Ciara McLaughlin, and Despina P. Gimbel at New York University Press. For providing a model for Keywords for Children’s Literature, thanks to Bruce Burgett and Glenn Hendler, editors of Keywords for American Cultural Studies, and Tony Bennett, Lawrence Grossberg, and Meaghan Morris, editors of New Keywords. Extra thanks are due to Hendler, whose presentation at the 2007 Futures of American Studies Institute inspired this project.

Thanks to our agent, George Nicholson, for his support and guidance, and to George’s assistant, Erica Silverman, for hers.

We are grateful to Rachel Parkin for her meticulous work, tidying up formatting, compiling the Works Cited section, and assembling final queries for each contributor. Thanks to Jon Eben Field for indexing. For helping us evaluate cover designs, thanks to Stephen T. Johnson, Mark Newgarden, and Megan Montague Cash. We …

Introduction

Since about 1970, scholarship in children’s literature has brought together people from the fields of literature, education, library and information science, cultural studies, and media studies. “Children’s literature” itself has become a kind of umbrella term encompassing a wide range of disciplines, genres, and media. One of the challenges of children’s literature studies is that scholars from disparate disciplines use the same terms in different ways. As a result, meanings can be blurred and cross-disciplinary conversations confused. Drawing on the expertise of scholars in many fields, Keywords for Children’s Literature responds to the need for a shared vocabulary by mapping the history of key terms and explaining how they came to be used in conflicted ways.

As Beverly Lyon Clark points out in Kiddie Lit: The Cultural Construction of Children’s Literature in America (2003), the (often male) “professoriate” in English literature departments treated librarians “more as handmaidens than as fellow …

Literacy

In Keywords, the term “literacy” does not have an entry of its own. Instead, Raymond Williams (1976) traces its evolution from its fourteenth-century root, “literature.” For the first three hundred years of its life, “literature” was an all-purpose word referring sometimes to “being well-read,” and at other times to “the books in which a man is well-read” (Williams 1976). Gradually, this common-ancestor word divided into several distinct species: the root-word, “literature,” strengthened its links to nationhood (as in English literature or French literature); “literate” came to describe being well-read; “literary” became associated with the “profession of authorship”; and “literacy” arose in the late nineteenth century as a social concept “to express the achievement and possession of what are increasingly seen as general and necessary skills” (Williams 1976). In the definition of “literacy,” the operative word is “skills,” suggesting a low-order, mechanical, even superficial ability related …

Note on Classroom Use

Each entry in Keywords for Children’s Literature maps a series of questions, rather than providing conclusive answers. In the spirit of Raymond Williams’ Keywords and of Bruce Burgett and Glen Hendler’s Keywords for American Cultural Studies, our book invites exploration, discussion, and challenge. When using the book in a classroom setting, teachers embrace these generative possibilities to get their students thinking more deeply about the contradictions, problems, and complexities that circulate within and around children’s literature.

Since the publication of Keywords for Children’s Literature in 2011, instructors have used the text in both graduate and undergraduate courses in Library and Information Studies, Education, Social and Cultural Studies, Comparative Literature, and English (notably, Young Adult Literature and other Children’s Literature courses). By structuring courses so that primary texts are read in conjunction with specific keywords essays, instructors encourage the interrogation and application of terms used in their particular disciplines. Instructors …

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